Friday, August 19, 2011

Blue Fish.


Parsley root intrigues me. It was an ingredient in yesterday’s post, and I have mentioned it briefly in the past (here, and here). Surely, other than the idea that it can be treated like parsnip or any other root, there is more in the world on this vegetable?

I went in brief search, and came up with the Recipe of the Day, in which it has a mere supporting role as a flavouring ingredient. The recipe however, reminded me of several other long-term puzzles jammed into my brain, resulting in the tangential thoughts that are my subject today. I offer these puzzles in the hope and expectation of some enlightenment from you.

-          How come ‘au bleu’ (or ‘au blue’ according to Ms Mason) has two such different usages in cookery? As in the recipe below, it refers to a time-honoured method of cooking a whole fish (especially trout) in vinegared court-bouillon or water, which apparently makes the skin bright blue. In earlier more cruel times the fish was cooked live, or almost alive, but at the very least it must be very, very, freshly dead.
-          How come this cooking method causes the blue colouring? Over to you, food science geeks.
-          How come the term au bleu also refers to seriously underdone meat? To my mind this results in bleeding red, not cool blue meat. Over to you, linguist geeks.

Here it is, the Recipe for the Day, from The Lady's Assistant For Regulating And Supplying Her Table by Charlotte Mason.
To dress Carp au Blue.
Take a brace of large carp, wash and gut them while they are alive, as soon after they are taken out of the water as possible; split them down the back, and cut them into different pieces as quick as possible; lay one carp in the dish, the scaly side upwards, and cover it all over with salt; then lay the other upon it, and cover that also very thick with salt; have ready boiled three pints of white-wine vinegar, a large stick of horse-radish cut into slices, a great piece of parsley-root, some ginger, a nutmeg sliced, black pepper, and all-spice; pour this liquor and ingredients upon it boiling hot (there must be enough to cover it) let it stand four or five hours; then set on a fish-kettle three parts full of water, with a little salt, a large stick of horse-radish cut into pieces, some parsley-root, ginger, black pepper, all-spice, and vinegar; let this boil for half an hour, and scum it very clean; then put the fish, vinegar, and all that is in the dish, into the fish-kettle; let it boil fifteen minutes; scum it all the time it is boiling: send it to table quite hot ; the scales will be blue and look very pretty.
Sauce: sugar, vinegar, horse-radish, and melted butter, or anchovy and melted butter.

Quotation of the Day.
Red meat is not bad for you. Now blue-green meat, that's bad for you
Tommy Smothers.

Thursday, August 18, 2011

Entertaining Frugality.


Today I am going to give you a cautionary tale from mid-seventeenth century Amsterdam. I have no idea of its authenticity – perhaps it is urban myth - but there is a certain timelessness and universality about it, as befits all good cautionary tales. And besides, it is fun.

The story was told (or re-told) a century and a continent away, in the Massachusetts Spy of August 18, 1785:
An Excellent Example of Frugality.

In the reign of King James the II, an eminent burgomaster of Amsterdam, having, with much grief, observed the degeneracy which began to shew itself among the Dutch, and the excesses which were the issue of wealth and idleness, took this method to shew his countrymen the folly and danger of their prodigalities. He invited the whole magistracy (consisting of thirty-six persons) and their ladies to a dinner which they made no doubt both for variety and delicacy, would be worthy both of him and them, but how great was their disappointment, when they saw the first course upon the board, consisting of apples boiled in buttermilk, stock fish with turnips and carrots, red herrings, and a lettuce salad; and for drink, small beer. The master invited his guests to fall to, the ladies pleaded want of appetite, the men looked like young prophets, when they cried out that death was in the pot, and until the table was cleared, scarce a word was spoke. But then there appeared under every plate a scroll of verses signifying that such was the fare of their forefathers, when their city first began to thrive, and the States to have a name among the nations. The second course was then served up, which consisted of butchers’ meat of every sort, roasted and boiled; but all undisguised with the arts of cookery and without any sauce than what a good stomach was to supply. English beer and Punch wine were likewise added to the side-board; and when the table was cleared a second time, certain other verses presented themselves, by which the guests were informed that, with regard to the wants of nature, these were luxuries; that it was the office of reason to regulate both the taste and the appetite; that by living thus, they would leave both their wealth and their temperance to their heirs, who being used to such excellent examples, would blush to be thought degenerate by their children. The table was then spread with all manner of fish and fowl, wild and tame, exquisitely dressed, and relished with the most agreeable sauces which were served up in plate, accompanied with wines of the finest growths of the Rhine Moselle, champaign and burgundy, and followed with a poetical memorial, importing, that all beyond enough was too much, that all beyond nourishment was luxury; and that beyond decency was extravagance; that intemperance had a smiling aspect, but a dreadful retinue, consisting of a composition of diseases that death had been their cook, and that he had infused a slow poison in every sauce. The last scroll seemed to strike a momentary damp on the spirits of the guests; which was soon forgot, on the appearance of a most magnificent desert [sic], to which not only all Europe, but both the Indies had contributed, followed by several rich wines, and every other delicacy that wealth without bounds could purchase. After which the hand writing again denounced, that Luxury is to property, what a plague is to health; that it is equally destructive; that it is the disease of which the noblest monarchies and most flourishing States have died; that when it became epidemical in a country depending on commerce, like theirs, a dissolution must inevitably follow; in consequence of which, the rich and renowned city of Amsterdam would again be reduced to a fishing village, and their posterity becomes poor as their ancestors were, without their continuance, industry or virtue. This wise, seasonable and excellent admonition of this noble burgomaster it is more than probable, had just as much effect at Amsterdam, as the repetition of them would have been in London or Dublin. The rigour of them was, perhaps ridiculed by a few, the truth acknowledged by the majority, and the application neglected by all. So powerful is reason in the field, so insignificant are the fruits of her victories.

As the Recipe for the Day, I give you an eighteenth century English concept of chicken cooked ‘in the Dutch way.’ Note the use of the parsley root. You don’t see parsley root in many recipes today, do you?

Chickens in the Dutch way, with parsley roots, and leaves of ditto.
Three large chickens will be enough; cut off the pinions, but not the feet, strip off the stockings (as they are called) by fire or boiling water, and tie them down upon the breasts; make a forcemeat with the livers, &c. as before named, put into them, blanch them nice and white over a clear stove, put them upon a lark spit, and tie them to another, with some lards of bacon, and plenty of butter'd paper; take care they are exactly coloured as you would roast a chicken in the English way, and provide your sauce as here set down; take some parsley roots that are not sticky, take off the rinds, cut them in thin slices, and lay them to soak in vinegar, salt and water, a green onion or two, and some parsley and shallot, with a blade of mace and whole pepper, for two or three hours; fry them very softly in a bit of butter, and wash afterwards in warm water; put them into some cullis, with a good dash of white wine of the sharp sort, boil it all together with a minced mushroom or two, or a green truffle, a little pepper, salt and nutmeg, have a good quantity of parsley leaves boiled nice and green, stir it into your roots just before it goes to table; clean your chickens from grease, and lay them in your dish, make your sauce boiling hot, add the juice of two or three lemons or oranges, and serve it up.
[A Complete System of Cookery, by William Verral 1759]

Quotation of the Day.

Food probably has a very great influence on the condition of men. Wine exercises a more visible influence, food does it more slowly but perhaps just as surely. Who knows if a well-prepared soup was not responsible for the pneumatic pump or a poor one for a war?
Georg C. Lichtenberg

Wednesday, August 17, 2011

Bags of Tea.


Tea aficionados sneer at tea-bags. I don’t. I am a tea lover, and as long as the tea itself is good, I don’t care if it is in bags, or not. I only care if there is no tea. The early commercial tea bags suffered from bad publicity, which was no doubt well deserved, but which from which they have never fully recovered. They were said to be filled with the debris of the tea processing business, and I have no reason to disbelieve the story.  Modern  tea-bags however can contain fine tea, honestly, they can.

Initially their role (and packaging) were quite different. Tea merchants in the early twentieth century (or maybe earlier) packed small samples of their product in tiny bags of silk or muslin. It was expected that the customer would empty the tea out of the bag before brewing and tasting the beverage. Someone, somewhere, for some reason not known to us (but probably someone simply dangerously desperate for a cuppa) just dumped it bag and all into the pot. And the rest, as they say, is food history.

Some of the bad reputation of tea bags comes from the bag itself. Since the glorious days of fine silk fabric, they have been made from specially-treated paper and plastics. Some of those plastics are not nice. On the other hand, some of the paper bags are now un-bleached and therefore very ‘green.’
What will you drink with your tea, bagged or not?

Italian Tea Biscuits.
Take the same mixture as for Savoy biscuits, make them in round drops with the bag and funnel, on whited brown paper; vary them by putting on the tops of some a few currants, on others a few blanched sweet almonds chopped small, a little citron or lemon peel cut small, or a few caraway seeds; dust the tops with sugar; and bake them in a moderate oven. When baked, wet the paper, take them off, and put the bottoms of two together.
About two hundred years since, the proportions for these cakes were: 1 lb. of sugar, 1 lb. of flour, 6 eggs, and ½ oz. of aniseeds in powder; dropped round on buttered tins, the tops being quite plain.
The complete biscuit and gingerbread baker's assistant, by George Read, 1854

Quotation of the Day.
Tea is such a magical product, perhaps even the eighth wonder of the world.
 H. Rahman

Tuesday, August 16, 2011

Medicated Gingerbread.


The idea of ‘medicated gingerbread’ takes the discussion of food as medicine and medicine as food to a whole new level, doesn’t it? I found the recipe in Household Hints to Young Housewives (London 1852), by the pseudonymous Mary Careful (London 1852), and here it is:

MEDICATED GINGERBREAD.
1 ¾ lb. of flour, 1 lb. of treacle, ¼ lb. of butter, ½ lb. of sugar, ¼ oz. of pearlash dissolved in a little milk, ½ oz. of ginger, and 1 tablespoon of magnesia.

The author does not specify for what medical condition the gingerbread was intended, but I think the ingredients give it away. The magnesia suggests that it was for digestive problems – as was the popular twentieth century dyspepsia remedy - ‘milk of magnesia.’ I am not aware of any good evidence for its value as a supplement or treatment today, but no doubt will get a flood of emails assuring me of its magic.

Ginger has been used since ancient times for digestive disorders, and is still a popular treatment for travel sickness and other episodes of nausea today. Gingerbread would, then, by definition, make an ideal vehicle for a remedy for digestive upsets. In modern times, interest in ginger as a medication is increasing in the medical and scientific world, and there is much investigation of its properties underway. It will be interesting to see the evidence as it unfolds.

Treacle of course has an ancient reputation as an antidote for poison, and although it was almost certainly used here as one of the traditional sweetening agents for gingerbread, to an ancient practitioner it would have made sense too.

The above instructions for medicated gingerbread were preceded in the book by the following very minimalist recipe for Doctor’s Biscuits, which I also give you. The biscuits contain caraway seeds (which also have a reputation for improving digestion.) They are awfully similar in concept to Dr Abernethy’s Biscuits, which we have discussed previously (here).

DOCTOR'S BISCUITS.
1 lb. of flour, 1 lb. of loaf sugar pounded, 3 eggs, and carraway seeds.

Quotation for the Day.

Had I but a penny in the world, thou shouldst have it for gingerbread.
William Shakespeare.

Monday, August 15, 2011

Tea-Cakes.


We ended last week on the topic of tea, and I want to continue the theme briefly with a discussion of tea-cakes. Tea-cakes, as everyone knows, are cakes made to be served with tea, not cakes containing tea as an ingredient - although I live in hope of finding a historic example of such a cake. 

It remains to be discussed whether ‘tea’ in this context means the beverage itself, or one of the two quite distinct occasions of ‘high tea’ or ‘low tea’ (if you need a brief refresher on the difference you can find it here.) In other words, were tea-cakes meant to be eaten with tea or at tea?

Tea-cakes seem to have become popular towards the middle of the nineteenth century, if the common usage examples in the Oxford English Dictionary are to be believed. Nowadays there is a large number of variations on the tea-cake theme, but initially it seems that they perhaps resembled griddle scones, being flat and curranty. 

Before I give you my choices of tea-cake recipes, may I suggest that you try them with a little ‘Laced Tea’? This delightful concept is, as its name suggests, tea laced with spirits – most commonly brandy. I understand that the literature contains references to laced tea (and coffee) from the seventeenth century, but admit that I have not checked this myself, but merely put it on my ‘to research’ list, which is rather long. 

In a previous post we had a recipe for Sultana Tea-cake. Today I give you a selection from a single  source: A new system of domestic cookery ... by Maria Eliza Ketelby Rundell (1840):

Tea Cakes.
Rub fine four ounces of butter into eight ounces of flour; mix eight ounces of currants, and six of fine Lisbon sugar, two yolks and one white of eggs, and a spoonful of brandy. Roll the paste the thickness of an Oliver biscuit, and cut with a wine glass. You may beat the other white, and wash over them; and either dust sugar, or not, as you like.

Benton Tea Cakes.
Mix a paste of flour, a little bit of butter and milkroll as thin as possible, and bake on a back-stone ovei the fire, or on a hot hearth.

Another sort, as Biscuits.—Rub into a pound of flour six ounces of butter, and three large spoonfuls of yeast, and make into a paste, with a sufficient quantity of new milk; make into biscuits, and prick them with a clean fork.

Another sort.—Melt six or seven ounces of butter with a sufficiency of new milk warmed to make seven pounds of flour into a stiff paste; roll thin, and make into biscuits.

Quotation for the Day.

Strange how a teapot can represent at the same time the comforts of solitude and the pleasures of company.  
Author Unknown